The Bell Jar (Englisch) Taschenbuch – 5. Februar 4,5 von 5 Sternen Sternebewertungen. The Bell Jar | Plath, Sylvia | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Die Glasglocke ist der einzige Roman der amerikanischen Schriftstellerin Sylvia Plath, die vor allem als Lyrikerin bekannt wurde.
The Bell Jar The Bell Jar poetry, Ariel Sylvia Plath Poster Ted Hughes Plath Print
Die Glasglocke ist der einzige Roman der amerikanischen Schriftstellerin Sylvia Plath, die vor allem als Lyrikerin bekannt wurde. Die Glasglocke (englisch The Bell Jar) ist der einzige Roman der amerikanischen Schriftstellerin Sylvia Plath, die vor allem als Lyrikerin bekannt wurde. The Bell Jar | Plath, Sylvia | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. The Bell Jar (Englisch) Taschenbuch – 5. Februar 4,5 von 5 Sternen Sternebewertungen. Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»The Bell Jar«nach Hause oder Ihre Filiale vor Ort bestellen! Über eBooks bei Thalia ✓»The Bell Jar«von Sylvia Plath & weitere eBooks online kaufen & direkt downloaden! Jetzt online bestellen! Heimlieferung oder in Filiale: The Bell Jar von Sylvia Plath | Orell Füssli: Der Buchhändler Ihres Vertrauens.
Jetzt online bestellen! Heimlieferung oder in Filiale: The Bell Jar von Sylvia Plath | Orell Füssli: Der Buchhändler Ihres Vertrauens. Die Glasglocke ist der einzige Roman der amerikanischen Schriftstellerin Sylvia Plath, die vor allem als Lyrikerin bekannt wurde. The Bell Jar von Plath, Sylvia ✓ portofreie Lieferung in Österreich ✓ 14 Tage Rückgaberecht ✓ Filialabholung. Fig trees are on solid ground, awaiting for courage, a leap of faith, life-changing decisions — meaning, The 100 Staffel 3 Deutsch, uniqueness. A bell jar is a glass jarsimilar in shape to a belland can be manufactured from a variety of materials ranging from glass to different types of metals. The eight-year wait between the novel's original publication in England and its American appearance Serie Castle only increased its audience. Then, at the rim of vision, it gathered itself, and in one sweeping tide, rushed me to sleep. The Bell Jar, in the end what really gripped me was her brutal honesty and the genius that she potrayed in evoking reality through her prose. I loved her wry and judgmental voice. The novel was published under Plath's name Schinen the first time in and was not published in the United States untilin accordance with the wishes of both Plath's husband, Ted Hughesand her mother. Jetzt online bestellen! Heimlieferung oder in Filiale: The Bell Jar Children's Edition von Sylvia Plath | Orell Füssli: Der Buchhändler Ihres Vertrauens. The Bell Jar, Taschenbuch von Sylvia Plath bei batresponsibility.eu Portofrei bestellen oder in der Filiale abholen. The Bell Jar poetry, Ariel Sylvia Plath Poster Ted Hughes Plath Print. Finden Sie Top-Angebote für Plath Print! Sylvia Plath Poster, die Glasglocke, Ariel, Ted. The Bell Jar von Plath, Sylvia ✓ portofreie Lieferung in Österreich ✓ 14 Tage Rückgaberecht ✓ Filialabholung.
The Bell Jar Sinopsis The Bell Jar VideoSylvia Plath The Bell Jar Audiobook Doktor Gordon nimmt an ihr eine zweifelhafte Behandlung mit Elektroschocks vor, die Esther stark traumatisiert. Verkaufsrang in Belletristik TB. Und sie besitzen denselben schichtartigen Aufbau, in dem eine scheinbar heile Oberfläche durch tiefer sitzende Verstörungen bedroht wird. Serien Stream The HandmaidS Tale Artikel könnten Sie auch interessieren. Chilling Adventures Of Sabrina does not just want to be a baby-popping housewife. While I could not really appreciate Esther's story I would still recommend this book. Esther verweigert sich der Entscheidung. Du bist es selbst.
The Bell Jar ProduktdetailsInformationen über den Versand und anfallende Versandkosten finden Sie hier. Doktor Gordon nimmt an ihr eine zweifelhafte Behandlung mit Elektroschocks vor, die Esther stark traumatisiert. Sie ist eine Die Haarsträubende Reise In Einem Verrückten Bus Stream zwölf Gewinnerinnen des Schreibwettbewerbs einer Modezeitschrift, Sicario Kkiste einen Monat in der Redaktion des Magazins hospitieren und wird mit Werbegeschenken und Einladungen zu Geselligkeiten überhäuft. It's just that I didn't connect with any of the characters. Gäbe es keine Frauenbewegung, dieser Name wäre hierzulande wohl längst wieder verschollen. Weitere Bewertungen Shuri Weniger Bewertungen einblenden. Vanessa Bokr I could not really appreciate Esther's story I would still recommend this book. Hör auf, selbstsüchtig an Rasierklingen und Selbstverletzungen zu denken, daran, auszugehen und mit allem Schluss zu machen. Der Kühnste Traum Stream Kundenkarten-Programm von Hugendubel können Sie sich ganz einfach nach der Bestellung anmelden und sich damit die Lesepunkte schon für Doctor Who Staffel 10 Start Kauf sichern. Alle anzeigen. Auch andere Kurzgeschichten nehmen stellenweise Szenen und Charaktere, manchmal sogar die Worte des Romans vorweg. I'm on the fence about this one. Everyone except Esther was not developed and complex at all. Abbrechen In den Warenkorb. Beim geplanten Schriftstellerseminar wird sie nicht angenommen. Joans Faszination für Esther geht so weit, dass sie nicht nur die Fast And The Furious 8 Stream Deutsch über Esthers 2019 Filmek gesammelt, sondern ihn sogar nachgeahmt Nackz. Sie ist am Ende ihrer erfolgreichen Collegezeit angelangt, befindet sich in New York, wo ihr scheinbar alle Möglichkeiten offenstehen, und ist dennoch von einer inneren Lähmung ergriffen. I know that it The Hundred the story that the characters are shallow, it still bothered me, though. CD Fr. Ganz anders als zum Zeitpunkt seiner Entstehung, traf Die Glasglocke in den ern auf eine öffentliche Debatte über die Rolle der Frau in der Gesellschaft. I've never shied away from depressing material, but there's a difference between the tone serving the story, and a relentlessly depressing work that goes entirely nowhere. Beaker Bell jar Gas syringe Vial. Read FishermanS Friend It was quite terrifying how often I read something the narrator thought or felt and found myself thinking, "I Das Joshua Profil Inhalt exactly what you mean. Psychiatrist Aaron Beck studied Esther's mental illness and The Bell Jar two causes of depression evident in her life. I was a little caught of guard when I read a few reviews of The Bell Jar comparing it to The Catcher in the Rye stating how it's the female version of it. In this novel, I found indecision under the apposite metaphor of Netflix Abo Kündigen fig tree; undying portions of time where absence is a unilateral reality, and the inability to fit the standards to which a woman is supposed to belong — a perpetual rift between professional development and motherhood. I took a deep breath and listened to the old brag The Conjuring Stream German my heart. I told my GR friend Ann that I meant to read this since age
The Bell Jar The Bell Jar, p.1 VideoThe Bell Jar (1979)
It is clear that Esther — and by extension Plath — had some optimism for what lay ahead. We know, of course, that Plath never reached that better day, but we can wish, even believe, that somehow Esther did.
View all 12 comments. Jan 25, Jen rated it really liked it Shelves: own. This is a disturbingly frightening journey through the mind of a young girl suffering from depression in the 's.
How far we have come in the last few decades in recognizing depression as a mental illness and treating it with much less radical techniques than electric shock.
Ester Greenwood is 19 and her future is just starting to unfold. Yet, day by day, she is questioning herself: her capabilities, her confidence, who she is, and what does it mean.
Her thoughts turn dark and helplessness en This is a disturbingly frightening journey through the mind of a young girl suffering from depression in the 's.
Her thoughts turn dark and helplessness envelopes her in a tight, downward spiral. Plath captures the emotional characterization of depression and the utter helplessness that accompanies it.
I truly felt like I was living this horror with her. View all 44 comments. Apr 17, Tracy Elizabeth rated it did not like it Recommends it for: my ex.
I only had to read it once. I never read it for or with pleasure. I prefer childbirth. View all 19 comments. Man has no foothold that is not also a bargain.
So be it! The chance of severe disappointment? The possibility of debilitating resonance? Either one would weigh much too heavily on my sensibilities and result in time lo Man has no foothold that is not also a bargain.
Either one would weigh much too heavily on my sensibilities and result in time lost to regaining equilibrium. Not that I grate against having to go through such measures to regain normal functioning in society, mind you.
The fact that I have found such measures is a matter that I treasure greatly. This review, for example. What I found in this book was not what I had been expecting.
My opinion changed as I went on, as it often does, and I have come to see this straightforward dropping of facts and opinions as a boon, a mark of brilliance almost when it comes to presenting content such as this.
All for having mentioned to her university granted and 'confidential' therapist that she had considered killing herself.
As she discussed the events leading up to it, I saw the similarities between her thoughts and mine, and thought about how easily I could have found myself in the same horrible situation.
In choosing that, I have been much more fortunate than Esther Greenwood, as I have had the time and the space to come to conclusions about my own particular brand of troubles as a female bred for academic success, and how to best deal with them.
How life is full of countless little dissatisfactions, and how the mind is so wonderful at subconsciously accumulating each and every one, and how splintered it can become when it is led to believe that happiness is found one way, and then another, as it is betrayed again, and again, and again.
The hard part is figuring out exactly what you want and need. The frontier of the unknown is whether you will be given the means to achieve it.
I promised myself a long time ago that when it came to choosing whether to go back to the path that was guaranteed to end in me jumping off a bridge, or to live, I would choose the latter.
Every single time. And while the events described in this book happened long ago, the attitude towards mental illness today is still one of distrustful hysterics, and I'll be damned if I put my faith in the impositions of the public before I've exhausted every possibility within my own voluntary grasp.
You know what? But so long as I can see a future that compels me on, a future that adheres much more to my own sense of worth than what society and its denizens would like me to believe, I can keep going.
And I am grateful to this book for giving me the chance to express it. View all 31 comments. Dec 08, Jaidee rated it liked it Shelves: three-ana-half-stars-books.
I told my GR friend Ann that I meant to read this since age All the girls I had crushes on at the time were reading this book with their pencil skirts and Smiths Tshirts.
I read some Plath poetry that I enjoyed but never got to this novel. I spent a good deal of time reflecting on Esther She is a fascinating study in female narcissism that mistakes herself for being misunderstood, special and superior to 3.
She is a fascinating study in female narcissism that mistakes herself for being misunderstood, special and superior to men, lesbians and those of other social classes and ethnicities.
She is raised by a working class widowed mother whom Esther feels a great deal of disdain and hostility towards. Esther, however, continually struggles for her independence, dealing with her suppressed libido and I suspect significant lesbian tendencies of her own.
None of this is unusual in late adolescent females who consider themselves both world weary and special. Unfortunately Esther suffers also from unprocessed grief, school disappointments and a traumatic event that bring out her biological vulnerability,in her case, either very severe depressive psychosis or more likely a schizoaffective disorder that render her non-functional, at times delusional and severely suicidal.
This book is her journey from confused spoiled brat to a young woman with a horrendous mental illness and her journey back to the living world.
The book is very adept at describing the moral and the social roles of white middle class Northeastern men and women as well as the hypocrisies of that time period.
At times the book is hilariously funny despite being about a young woman's immense psychic suffering. This book did not reach four star status however.
I found much of it fragmented, unfinished and the prose unlike her poetry rather pedestrian more than inspired. I also found that although I found the character most fascinating I was not able to empathize or understand to the degree that I had hoped for.
At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue.
These chilling lines from 'Daddy' played inside my head time and again like the grim echoes of a death knell as I witnessed Esther's struggle to ward off the darkness threatening to converge on her.
And despite my best efforts to desist from searching for the vestiges of Sylvia in Esther, I failed. I could not help noting how effor At twenty I tried to die And get back, back, back to you.
I could not help noting how effortlessly Plath must have slipped into the mind of an ingenue like Esther, a thinly veiled version of her younger self, while letting her true disenchantment with life and its unkept promises manifest itself in the iconic poems of Ariel.
That she could work up the intellectual rigour to create a body of work unanimously regarded as her very best during a period of tremendous upheaval in the domestic sphere is a testament to her artistic spirit.
The personal lives of very few writers have been subjected to a scrutiny as unsparing as Plath's life invited after her suicide and yet her creations have managed to wrest the spotlight from more sensational subjects like a bad marriage and her lifelong battle with a fatal depression.
People were made of nothing so much as dust, and I couldn't see that doctoring all that dust was a bit better than writing poems people would remember and repeat to themselves when they were unhappy or sick and couldn't sleep.
I had expected a kind of solipsistic navel-gazing to occupy the thematic core of this semi-autobiographical novel but instead what I found was a masterful portrayal of a shared reality of many women of the 50s.
For instance, this is evident in Plath's depiction of an attempted rape scene which she describes as drolly as conceivable, with nary a mention of a word suggestive of sexual assault.
Such must have been the way of life before second wave feminism wedged its way forcefully into the 20th century zeitgeist.
Thus, the bell jar does not merely symbolize death or even the decay of intellectual faculties of an artist which Esther Greenwood equates with death.
It also represents the metaphorical prison that Esther and undoubtedly many of her compeers may have wanted to escape - the dilemma between attempting to preserve selfhood at the cost of defying societal conventions and submitting to the patriarchal injunction against female autonomy.
I couldn't stand the idea of a woman having to have a single pure life and a man being able to have a double life, one pure and one not.
Even though Esther lacks Plath's cold fury and resentment as reflected in many of the 'Ariel' poems, she betrays a subliminal fear of her own sexuality and the world she has only just begun unravelling like a mystery.
In the last stretch when she contemplates likely methods of ending her life without much ado she does so with an unnerving ease, emotionless as a wax sculpture.
Death is like the ultimate remedy to the problem at hand - her inability to cope with her own life any longer. Death also saves her from the tyranny of indecision.
The silence drew off, baring the pebbles and shells and all the tatty wreckage of my life. Then, at the rim of vision, it gathered itself, and in one sweeping tide, rushed me to sleep.
Sadly the parallels between both narratives end at Kaysen's adoption of a distinctly TBJ-esque mode of narration. While Kaysen eventually managed to silence the voices inside her head and went on to pursue a fulfilling writing career, Plath couldn't stand life long enough to leave behind a more voluminous, more enriched oeuvre.
All the heat and fear had purged itself. I felt surprisingly at peace. The bell jar hung, suspended, a few feet above my head. I was open to circulating air.
Mar 06, ALet rated it it was amazing Shelves: favorites , read-in It was interesting to deep dive into women's mind and world.
I do not know a lot about Sylvia Plath, but now I really want to read her other works and maybe a life story. Oct 07, Lizzy rated it really liked it Shelves: classics-literay-fiction , stars-4 , read-years-ago.
It wasn't the silence of silence. It was my own silence. It opens with "the summer they electrocuted the Rosenbergs," as if it were an omen of what is to come.
Conspicuous and beautiful, it tells a story of despair as a young woman falls to the pitfalls of depression.
However, helplessness and doubts drifts all over as a constant companion while she tries to hold to shreds of her life. And, fragments of realization that we are not alone in our despair.
Sylvia Plath with her superb, alluring and somber writing, holds the reader spellbound and has the power of drawing us into her tale.
She made me her accomplice in her hilaraty, in her secrets and in her honesty. Thus, the reader empathizes and is grateful to share with her her pain without appearing miserable or demanding any form of solace.
This uncovering, if nothing else, should make us grateful. Jan 12, Felicia rated it it was amazing.
That being said, I'm so thankful that I didn't read it sooner, that I read it now, at this exact particular time in my life. My younger self would not have had the life experience to understand this story on such a profound level.
Plath's writing is beyond reproach. I found myself reading many passages over and over again so that I could completely absorb and digest the feelings they invoked in me.
This made me sad and tired. It's not endless crying or any of the other dramatics displayed in the movies.
It's quiet. It's subtle. It's stealthy. Until it's not. Not one of us was left unscathed by this story. View all 53 comments. Sep 06, Madeline rated it it was amazing Shelves: all-time-favorites , the-list.
I'm stupid about executions. The idea of being electrocuted makes me sick, and that's all there was to read about in the papers - goggle-eyed headlines staring up at me on every street corner and at the fusty, peanut-smelling mouth of every subway.
It had nothing to do with me, but I couldn't help wondering what it would be like, being burned alive all along your nerves.
I "It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn't know what I was doing in New York.
I thought it must be the worst thing in the world. I have never read something so utterly compelling and literally could not put it down. It was quite terrifying how often I read something the narrator thought or felt and found myself thinking, "I know exactly what you mean.
You have no idea what you're talking about. Holden Caulfield was a whiny bitch with nothing real to complain about.
She makes Holden look like a snot-nosed preschooler throwing a tantrum because someone took his crayons.
View all 10 comments. I'm really struggling with writing a review for this one, given the unique nature of the book and the sad reality that surrounds it.
Every book is a testament of its author in one way or another, but with this semi-fictional autobiography it's difficult not to equate the book with its tragic author, making the reviewing of it an exercise in the kind of delicacy I'm not very well versed in.
A delicacy that, frankly, I don't really enjoy employing. So what is one to do when he didn't really like " I'm really struggling with writing a review for this one, given the unique nature of the book and the sad reality that surrounds it.
So what is one to do when he didn't really like " The Bell Jar "? Tread very carefully through the thorny bushes, knowing many in the Goodreads populace have a special place in their heart for this sensitive book.
I decided on a respectful three-star rating even though my less delicate self would probably give it only two.
It gets three because of its importance, because of its needing to be heard, but my heart of hearts doesn't care all that much about importance.
It cares about being lifted up while this story mainly seemed to try and drag it down. I called this book an "autobiography", but with the important difference that autobiographies put the emphasis on a life fully lived, while in this book life seems pretty empty and the story was mostly about reasons for and ways of ending it.
This book reads very much like a cry for help, and cries for help don't generally make for pleasant reading. The fact I felt useless as I heard that cry, the dread that comes with seeing a person consumed by fires I can't put out and other such merry sentiments make it hard for me to say I enjoyed this book.
Everybody who reads this classic also knows about the tragic fate of the author, making the cry for help all the more chilling and making it akin to the reading of an elaborate suicide note.
In short: I'd be surprised if this makes it on any "best beach reads" lists. I realise that even if this isn't a pleasant read that doesn't mean that it's not a good read, or a meaningful one, so let me elaborate on my mediocre rating for a book so highly praised by many others.
I normally don't go for books dealing with depression, telling of a darkness with which I'm unfamiliar and quite uncomfortable, but reading is also about getting outside of your comfort zone.
Also, I've got a severe gender inequality problem going on in my reading list and this book, hailed as an important womanly novel, caught my attention through promises of profundity and humor.
The profound is there, in the intentions of the author to tell this deeply personal story, but I found most of the observations made in the book surprisingly superficial.
The humor, while there in the earlier parts, felt like vinegar to a thirsty mouth. A perfectly enjoyable riff on the tipping system in New York in one of the earlier chapters gets a bitter taste by the end of the book, becoming a denouncement of one of the many things that are wrong with this world.
Despite the lack of living up to what was promised, not all was bad with this book. Plath had the gift of prose, with elegant metaphors and the creation of immersive settings, evoking indelible images like of Esther sitting in the breezeway trying to write a book or a pair of boots pointing to the ocean.
She's got a poetic stroke that mixes very well with her cynical side, resulting in a reading experience that was artistically and aesthetically pleasing.
It's sad that this first novel is also her last, because the markings of true talents, with a lot of potential to be further developed, were clearly visible.
I'm sad for Sylvia Plath and for everyone who shared and shares her plight. I have a great yet tender respect for her, writing this book, which must have cost her a tremendous effort given all the dark clouds in her heavy mind, trapped under a bell jar.
But it was not for nothing, because as she was heaving up the bell jar with every word she wrote, trudging along with it in order to be heard, she created something that would make her message heard, then, now and far into the future.
Go on, Sylvia Plath, and rest in peace. Your bell will keep resounding, maybe not on sunlit beaches, but definitely in your readers' hearts.
View all 29 comments. Nov 28, Manny rated it really liked it Shelves: too-sexy-for-maiden-aunts. Warning: this review contains major spoilers for the movie Melancholia The paradox at the heart of The Bell Jar is that Esther, the narrator, comes across as an engaging and indeed admirable person.
She's smart, funny, perceptive and seems to have everything going for her. But she feels less and less connected with life, and in the end just wants to kill herself.
Evidently, there must be something wrong with her. Perhaps she would have been okay if only she'd been prescribed the appropriate kind Warning: this review contains major spoilers for the movie Melancholia The paradox at the heart of The Bell Jar is that Esther, the narrator, comes across as an engaging and indeed admirable person.
Perhaps she would have been okay if only she'd been prescribed the appropriate kind of pills? The central character, Justine, who's brilliantly interpreted by Kirsten Dunst, has a fair amount in common with Esther.
She's beautiful, successful in her work, and just about to marry a charming man who adores her. We meet her on her way to a fabulous wedding, joking and laughing with her soon-to-be-husband in a white stretch limo which amusingly gets stuck on a narrow road.
All the same, it soon becomes clear that Justine isn't enjoying things. Her sister Claire, played by Charlotte Gainsbourgh, keeps telling her to be sensible.
Claire's fears are well-grounded. As the evening progresses, Justine behaves more and more erratically. She walks out of her own reception, gratuitously insults the boss who's just given her an unexpected promotion, has random sex with a stranger.
Her new husband abandons her as a bad job before the marriage is even a day old. But Justine doesn't seem to care at all.
What she's really worried about, we discover, is the mysterious blue planet Melancholia, which is heading towards Earth at an enormous speed.
It becomes larger every day. Claire is worried about it too, and sneaks off every now and then to look things up on the Web.
Her husband reassures her that scientists have done the calculations. It seems scary, but Melancholia is going to miss us.
We'll be fine. Justine knows it won't be fine. She's had a dream where various signs appear. At the end, Melancholia collides with the Earth, destroying both worlds.
The prophetic signs have begun to turn up, and she is certain her dream will become reality. The knowledge paralyses her. After the disastrous wedding reception, she moves in with Claire, who does her best to look after her.
Justine is clinically depressed. She can't even summon up the willpower to get into her bath, despite Claire's coaxing. Claire makes her favourite meat-loaf.
Justine, weeping, says it tastes of ashes. Melancholia comes ever closer, and is now a monstrous shape in the sky.
It's finally obvious to everyone that things are not going to work out. Claire goes to look for her husband, hoping he'll once again find words of reassurance, and discovers he's taken an overdose.
She is beside herself with fear and grief and runs around hyperventilating, clutching her small son to her. But, to her surprise, Justine has lost her lethargic air.
She's full of a grim new energy. With impact now just hours away, Claire does her best to summon up some dignity. She suggests to Justine that they should go out on the terrace with a couple of glasses of wine and wait peacefully for the end.
Beethoven's Ninth? Perhaps some candles? And if Esther had only been given the right kind of pills, she would have been fine. Just not my cuppa tea!
Found it to be slow and boring. I read a lot of reviews saying they loved the first half more than the second half, so since I disliked the first half, I decided to DNF it.
I am not going to write a full review since I didn't finish it and I am not going to rate a book I did not finish. But the demand for more Plath had led to bootleg copies of the novel coming in from England; at least two bookstores in New York carried the book and sold it briskly.
There was yet another quirk in the publishing history of The Bell Jar, a copyright snag. Because it had been published abroad originally by an American citizen, and had not been published in America within six months of foreign publication or registered for copyright in the United States, it fell under a provision since nullified called Ad Interim, which meant it was no longer eligible for copyright protection in America.
This had been a closely guarded secret, but one day in I had a phone call from Juris Jurjevics, an old friend at another publishing house, alerting me that John Simon at Random House was aware of the copyright situation and was planning to publish the book.
This was horrifying; I called Simon and explained to him that the only reason the book hadn't been published was out of respect for Mrs. Plath's feelings, that we had an agreement to publish it if she changed her mind or if she died, and that it was unconscionable for him to steal this book.
To my utter astonishment, he agreed, and said he would cancel the publication. Obviously we had to publish the novel immediately.
I called Ted Hughes and his sister Olwyn, who was the literary agent for the Estate, and we undertook the delicate business of telling Mrs.
Plath--who later told her side of the story in Letters Home , a selection of Syl via's letters to her. But again there was internal opposition to the project, from the remaining original reader of The Bell Jar, who didn't like it any better the second time around.
Despite the success of Ariel, the house was concerned about publishing posthumous work that wasn't up to snuff.
I turned to Frank Scioscia, a brilliant Harper sales manager with a legendary book nose, and asked if he could read the novel overnight and give me a reaction the next day.
He did; Frank loved the book and thought it would have extraordinary sales. That saved the book for Harper, and nearly three million paperback copies have been sold since The eight-year wait between the novel's original publication in England and its American appearance had only increased its audience.
Plath was nearly a household name by , there were Plath groupies, and the women's movement was in full bloom, with recent books from Germaine Greer and Robin Morgan.
Confessional literature was in vogue. And there was a new fascination with death; Elisabeth Kubler-Ross had burst on the scene and Erich Segal's tearjerker, Love Story, seemed to have a permanent place on the bestseller list.
Depression and mental illness were subjects much on people's minds as well; they were reading R. Alvarez, the critic who so admired Plath, had written a highly romantic book about suicide featuring Plath as Exhibit A.
A timely excerpt from the British edition appeared in the New American Review around the time of publication and became the topic of the moment.
The Bell Jar sailed right onto the bestseller list and despite some complaining reviews, it quickly established itself as a female rite-of-passage novel, a twin to Catcher in the Rye--a comparison first noted by one of the original British reviewers.
In fact The Bell Jar was published on the twentieth anniversary of Salinger's classic and Sylvia Plath herself was just two years older than the fictional hero, Holden Caulfield.
To Molly O'Neill, a seventeen-year-old lifeguard in Ohio who would grow up to become a food writer for the New York Times and a novelist herself, reading The Bell Jar that summer was nothing short of astonishing.
Above all she was amazed by the possibility of madness descending like a tornado into a typical bright young woman's life out of nowhere--"That could happen?
I could hardly believe it. Although her illness was never actually diagnosed, several researchers in the field have noted Plath's unerring description of schizophrenic perception: a hallway becomes a menacing tunnel, a person approaching has an enormity that threatens to engulf the viewer the closer they come, objects loom out of all proportion, the alphabet letters on a page become impossible to decipher, and virtually everything seems both unreal and dangerous.
Despite the interventions of the last quarter-century, from Librium to Prozac, Plath's vivid, entirely rational, almost steely description of that world remains true and uneclipsed by any later writer.
Now that it's become socially acceptable to talk about such things, it's easy to forget that reading The Bell Jar brought us an understanding of the experience that made such openness possible.
And what about the novel's larger relevance to today's young reader? At a time when Holden Caulfield's sensitivities seem unrelated to the hard edges of today's world for many readers, does The Bell Jar still have any meaning?
After all, the novel was pre-drugs, pre-Pill, pre-Women's Studies. In the survivalist mode of the '90s, suicide may seem like a loser's option.
But the adolescent suicide rate has quadrupled since World War II, and if suicide isn't quite as romantic as it was when The Bell Jar was first published here, statistics indicate that it's definitely on the rise.
Depression has become almost epidemic in America in the meantime. When I asked an informal focus group of bright young women in their twenties what they thought about the book, they were unanimous: they loved it.
Although some of them found it depressing, others found it surprisingly undepressing. Continue your study of The Bell Jar with these useful links.
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Election Day is November 3rd! Make sure your voice is heard. Plot Overview. Character List Esther Greenwood Mrs.